From The Simpsons mauling George HW Bush to South Park’s current head-to-head with Trump, animations are no stranger to political battles. But sometimes, things get far, far more brutal
I
t shouldn’t really be a surprise that South Park has become “the most important TV show of the Trump 2.0 era”. Trey Parker and Matt Stone have spent decades taking any potshot they like at whoever they choose, from Saddam Hussein to Guitar Hero to – thanks to their inexplicable 2001 live-action sitcom That’s My Bush! – other sitting presidents.
But by using every episode in its latest series to focus their fury solely at the current US administration, hitting Trump with a combination of policy rebuttals and dick jokes (and daring him to sue them in the process), this is the strongest sense yet that Parker and Stone are out for nothing less than full regime change.
Let’s not pretend that South Park is the first cartoon to attempt this, though. For almost a century, animation has often proved to be a better satirical weapon than anything made with flesh-and-blood actors. There is a sense that, to some, George HW Bush will be remembered by the mauling he received at the hands of The Simpsons, which depicted him as a gullible, uptight neighbour after he dared to criticise the show during a speech on family values. You could argue that the show pulled its punches a little – his episode, Two Bad Neighbors, didn’t air until he had been out of office for three years – but the anger is still palpable.
