Radiohead songs, visual poetry and Shawn Yue and Josh Hartnett in Vietnamese-French director’s art-house thriller shot mostly in Hong Kong
This is the latest instalment in a feature series reflecting on instances of East meets West in world cinema, including China-US co-productions.
Sometimes an outsider’s perspective can tell you more about a place than you might expect. This is especially true for Hong Kong – a city of endless comings and goings – and the filmmakers who chose it as a location.






